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	<title>Artistic &#38; Studio Work of Jono</title>
	<link>https://www.jono.fyi</link>
	<description>Artistic &#38; Studio Work of Jono</description>
	<pubDate>Tue, 04 Mar 2025 21:12:58 +0000</pubDate>
	<generator>https://www.jono.fyi</generator>
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	<item>
		<title>Artist Introduction</title>
				
		<link>https://www.jono.fyi/Artist-Introduction</link>

		<pubDate>Sat, 02 May 2020 20:22:24 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

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		<description>

My name is Jono and I use graphic design and computer programming to explore the expressive qualities of technology. Like a painter, I observe, then I depict what I see. I then repeat the process over and over again. Information is my paint, technologies are my brushes, and making objects and experiences are my canvas. To see some of my work, both artistic and commercial, continue scrolling.


	
	︎
	
</description>
		
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	<item>
		<title>Join Newsletter Module</title>
				
		<link>https://www.jono.fyi/Join-Newsletter-Module</link>

		<pubDate>Tue, 07 Feb 2023 20:17:43 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/Join-Newsletter-Module</guid>

		<description>

Stay up-to-date on latest pursuits and get first dibs on occasional art or freebies:
Join Monthly Newsletter
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	<item>
		<title>Curaturae</title>
				
		<link>https://www.jono.fyi/Curaturae</link>

		<pubDate>Mon, 10 May 2021 16:04:22 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/Curaturae</guid>

		<description>
  
    
    
    
    
    
︎ Curaturae, 2022Curaturae (link) is a website to help generate ideas by connecting your writing to over three million objects from the Smithsonian’s Open Access collection. Write in up to ten different languages (including Japanese, French, and Russian) and wait for the application to respond with images in near real-time. The resulting collage of images is displayed at scale, as if hung in a real museum gallery. Click on a highlighted word to reveal the matching image. Tap on the image to learn more about it. After exploring these matches, save your findings as a PDF. Whether writing in poetry, prose, or text messages, Curaturae brings the spirit of the museum to you, at home on your computer or at the bus stop on your smartphone.

    
  



&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/6bf2d5b11d58370e16ed50dcadf9ed1dfcefcf035c038ac04c02f92f958f66a7/click-to-learn-more-800px.gif" data-mid="119419943" border="0"  src="https://freight.cargo.site/w/800/i/6bf2d5b11d58370e16ed50dcadf9ed1dfcefcf035c038ac04c02f92f958f66a7/click-to-learn-more-800px.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/0578b9dbb979940d0df9c7637fd752d3ebc5844149be649f02ca8bd20e8ee34f/download-as-pdf-800px.gif" data-mid="119419944" border="0"  src="https://freight.cargo.site/w/800/i/0578b9dbb979940d0df9c7637fd752d3ebc5844149be649f02ca8bd20e8ee34f/download-as-pdf-800px.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/a694f2e02231a4fb3f2663e3c0a7a7b6d25232f53cf6005ea88f9d34c29fa76c/examples-800px.gif" data-mid="119419945" border="0"  src="https://freight.cargo.site/w/800/i/a694f2e02231a4fb3f2663e3c0a7a7b6d25232f53cf6005ea88f9d34c29fa76c/examples-800px.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/bd92ad743460fbdc9bd57ffd7fd756ddea9e0a2a3e3c76758c93312ae24bfaad/lang-not-supported-800px.gif" data-mid="119419947" border="0"  src="https://freight.cargo.site/w/800/i/bd92ad743460fbdc9bd57ffd7fd756ddea9e0a2a3e3c76758c93312ae24bfaad/lang-not-supported-800px.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/34c0c4482023ac2a4fd8d812f433c9a8941a23b81fb56517aba9d8366154310d/multi-language-800px.gif" data-mid="119419948" border="0"  src="https://freight.cargo.site/w/800/i/34c0c4482023ac2a4fd8d812f433c9a8941a23b81fb56517aba9d8366154310d/multi-language-800px.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/e944d13e9c0d607fe1cac87f440467850e2127d0c9be63c9dea9d220388a385f/to-scale-zoom-800px.gif" data-mid="119419950" border="0"  src="https://freight.cargo.site/w/800/i/e944d13e9c0d607fe1cac87f440467850e2127d0c9be63c9dea9d220388a385f/to-scale-zoom-800px.gif" /&#62;
Examples of Curaturae’s unique design features.


  Curaturae ties state of the art language syntax and translation technologies to recently digitized, opened, and searchable art objects in a unique user interface inspired by the experience of visiting a museum. Writers of all ages and experience levels have a new tool to not only explore and learn about art, but a tool to work through writer’s block and grant a new perspective on their writing.



  

Curaturae, interactive website, 2021






  This project’s effort was realized through the Activating Smithsonian’s Open Access grant from Cooper Hewitt Design Museum and Verizon 5G Labs. Research for this project was conducted at NEW INC, the New Museum’s art, design, and technology incubator, on their Cultural Futures track with support from the Knight Foundation.



    
    
    



  
    
    The Life of a Keyword, 2022
  
  After its reception, it became clear that the project is a lightning rod for questions surrounding different types of bias: curatorial, technological, and creative biases. So, I created a case study to explain, “How writing with Open Access works”. On the page, I walk through the journey of how writing transforms into imagery. For each step along the way, I take time to answer questions that might arise. To the right are a set of animations I created to help explain this process. Because I rely on institutional information and technological features, the page has additional questions associated with more information to learn more or to reach the team behind a specific feature.
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	<item>
		<title>Living Encyclopedia</title>
				
		<link>https://www.jono.fyi/Living-Encyclopedia</link>

		<pubDate>Tue, 04 Mar 2025 21:12:58 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

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	︎ Living Encyclopedia, 2025
Living Encyclopedia (link) is the world’s first Artificial Intelligence (AI) system dedicated to nature. It “is reimagining the traditional concept of an encyclopedia by transforming static knowledge into an evolving, multi-sensory experience powered by AI, where nature's beauty and complexity are brought to life through dynamic visuals, sound, and interaction.”1 With three modes: Research, Create, and Dream, subscribers can explore the natural world or reimagine it.


	
    
    Sample output from Create Mode, 2025
    




	
    
    ResearchDiscuss topics of flora, fauna, and fungi • explore the model’s latent space • monitor processes and its climate impact
	
    
    
    Create
Generate images and depth maps in high-resolution • keep a history of all your creations • save and distribute outputs

	
    
    Dream
    Lean back to a meditative walk through the latent space of the model • see and hear nature in a never-ending landscape

Living Encyclopedia is a paid for service that allows subscribers to access and explore the AI model, dubbed the Large Nature Model (link), that Refik Anadol Studios has developed over the last 10 years. Among its significance as a model built by artists and focused on data from the natural world, it is also a foundational source material for the artwork to be shown at Dataland’s inaugural exhibitions. Dataland is opening this year, 2025, across the street from the Walt Disney Concert Hall in downtown Los Angeles.&#38;nbsp; &#38;nbsp;I have written even more about the process of developing the Living Encyclopedia in my monthly newsletter (link). Dataland has also written extensively about it as well (link). A nice review of the project can be found on artnet (link) written by Adam Schrader.

	1.
	Dataland: About Living Encyclopedia. Dataland, 2025. https://dataland.art/about/living-encyclopedia/
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	<item>
		<title>EZPZ</title>
				
		<link>https://www.jono.fyi/EZPZ</link>

		<pubDate>Wed, 15 Mar 2023 20:53:28 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/EZPZ</guid>

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    ︎ EZPZ, 2023
EZPZ (link) is an iOS app where the act of doodling makes tiny animations and sounds. Backed by sophisticated effects and sequencing, simple gestures with the flick of a finger come together to make techno melodies and beats. Choose from 15 generative brushes accompanied by hifi samples imagined, selected, and engineered by the acclaimed music producer Cari Lekebusch. These vibrant and reactive sounds are literally at your fingertips. With EZPZ music making has never been more fun. Let your fingers doodle to relax, play, or make your next masterpiece. EZPZ puts a unique synesthetic experience in your pocket.
	
      
        
        EZPZ, Web Preview, 2023
       
    




	
          
        
Stockholm, Sweden • 15 Generative Brushes • Body • Soul • Minds • Vessels • Space • Warp • Shell • Eyes • Ghost • Arise • Fallen • Planes • Cloud • Rays • Shade




  This app is powered by a custom audio-visual engine developed at Chroma Studios. The team, composed of members in Stockholm, Helsinki, and Los Angeles, have been quietly working since 2021 to harness technology in order to redefine audio entertainment. For more on them and their other apps follow Chroma on Instagram.&#38;nbsp; &#38;nbsp;To commemorate the launch I minted 5 NFTs which you can view or collect on Foundation. See the collection. The app is free to download, use, and publish your own derivative works.


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	<item>
		<title>Art: Introduction</title>
				
		<link>https://www.jono.fyi/Art-Introduction</link>

		<pubDate>Fri, 15 May 2020 20:56:16 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

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There is a wealth of information in our world today. This surplus is thanks to the everyday technology we use to enrich our lives. With a few taps on your smartphone or clicks on your computer keyboard, we are presented scientific advancements, athletic milestones, political developments, and dinner recipes, instantaneously, and from multiple sources around the world. In one sense, technology collapses time and space in order to deliver information to us. But, what purpose does this serve exactly? I am interested in using this abundance of information as a medium to depict the human experience and the systems that implicitly guide that experience.


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	<item>
		<title>Lost Treasures Found</title>
				
		<link>https://www.jono.fyi/Lost-Treasures-Found</link>

		<pubDate>Sat, 19 Jan 2019 23:01:24 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/Lost-Treasures-Found</guid>

		<description>
	
 
	
      
        
        
        
    

	
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/a3e0187512abf2c83392cb370c61f1031b9362b5de69446e61d7cd8ad50747f9/1-texture.jpg" data-mid="66559355" border="0"  src="https://freight.cargo.site/w/1000/i/a3e0187512abf2c83392cb370c61f1031b9362b5de69446e61d7cd8ad50747f9/1-texture.jpg" /&#62;
&#60;img width="3618" height="3619" width_o="3618" height_o="3619" data-src="https://freight.cargo.site/t/original/i/bb27d149a1495f7b5e9b6447f87a972f6bb899611b5c90723f6da922d97aa4af/2-cover.jpg" data-mid="66559356" border="0"  src="https://freight.cargo.site/w/1000/i/bb27d149a1495f7b5e9b6447f87a972f6bb899611b5c90723f6da922d97aa4af/2-cover.jpg" /&#62;
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/921ea709610def8295d792a91a88b665bbebc312020a920702b966ef3ce81158/4-spine.jpg" data-mid="66559358" border="0"  src="https://freight.cargo.site/w/1000/i/921ea709610def8295d792a91a88b665bbebc312020a920702b966ef3ce81158/4-spine.jpg" /&#62;

Laser engraved cover visualizing word occurrences in The Satyricon
	︎ Lost Treasures Found, 2019After a career in the coliseum Encolpius works toward an academic degree. Outside of class he yearns for the affection of his boyfriend Giton, the validation of his professor Agamemnon, and the collapse of his once friend and now arch rival Ascyltus. Encolpius, however, is time and again met with failure. His endeavors unravel throughout The Satyricon, written by Petronius in the late first century, in the most bizarre and hilarious ways. Traces of Encolpius’ trials can be seen today in the incredulous stories shared over social media. The reception of these stories, like the original reception of The Satyricon by Ancient Romans, are met with widespread amusement and engagement. This signals the timeless qualities of human emotions in society. &#38;nbsp;

	Today, however, digital culture occupies our focus and pushes Encolpius into the shadows. We are not building off our predecessors so much as we are obscuring them. In an attempt to reverse this tendency, Lost Treasures Found offers contemporary access to the story of Encolpius. It presents The Satyricon unabridged and in its original Latin. It replaces key Latin words with their contemporary Emoji counterparts through a custom transcode function. With no prior understanding of Latin, dive into the text and catch glimpses of daily life, from thousands of years ago. The Latin literate are presented with a familiar story set against an unexpected, but appropriate modern backdrop. Ultimately, this book collapses two-thousand years of progress and exposes two distant cultures to each other.
	
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/fd54f103b689d65d3ecc15a0a21afb59440922f5465cef38cc14e73b8f1b5fac/5-frontpage.jpg" data-mid="66559359" border="0"  src="https://freight.cargo.site/w/1000/i/fd54f103b689d65d3ecc15a0a21afb59440922f5465cef38cc14e73b8f1b5fac/5-frontpage.jpg" /&#62;
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/198c02682a73038b465b343418fc0c919cfad1fb1da9b515f2998777103c5fe8/7-body.jpg" data-mid="66559361" border="0"  src="https://freight.cargo.site/w/1000/i/198c02682a73038b465b343418fc0c919cfad1fb1da9b515f2998777103c5fe8/7-body.jpg" /&#62;
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/db76c7ee1e92ab9e67a4355c0f6e55020b8529e3bc5c02d82793d16307261b58/6-body.jpg" data-mid="66559360" border="0"  src="https://freight.cargo.site/w/1000/i/db76c7ee1e92ab9e67a4355c0f6e55020b8529e3bc5c02d82793d16307261b58/6-body.jpg" /&#62;
&#60;img width="3096" height="3096" width_o="3096" height_o="3096" data-src="https://freight.cargo.site/t/original/i/8300b681a54e3971edfcbf8179677f45e3e8a11814266ad94fd3341c10de4e5f/8-body-closeup.jpg" data-mid="66559362" border="0"  src="https://freight.cargo.site/w/1000/i/8300b681a54e3971edfcbf8179677f45e3e8a11814266ad94fd3341c10de4e5f/8-body-closeup.jpg" /&#62;
Top to bottom, left to right: front page, chapter spreads, and close up


	
          
          
        
Paris, France • 166 Pages • Canson Paper • Acid Free • 200gm • 148 × 210mm • Paperback • Perfect Bound • Mrs. Eaves • Apple Color Emoji
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		<title>des Objets Reconnus</title>
				
		<link>https://www.jono.fyi/des-Objets-Reconnus</link>

		<pubDate>Sat, 11 Apr 2020 15:05:40 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/des-Objets-Reconnus</guid>

		<description>
	
 
	
&#60;img width="512" height="425" width_o="512" height_o="425" data-src="https://freight.cargo.site/t/original/i/a80e08f299360de04fef0412c7ed2e00e52fdcf4a810d1f5b977de508dcfbf87/les-idees-claires.jpg" data-mid="71178487" border="0"  src="https://freight.cargo.site/w/512/i/a80e08f299360de04fef0412c7ed2e00e52fdcf4a810d1f5b977de508dcfbf87/les-idees-claires.jpg" /&#62;
&#60;img width="500" height="495" width_o="500" height_o="495" data-src="https://freight.cargo.site/t/original/i/f503b13d8226741878570045c038bdf58c1c6794c377aad7ce89a386b7c8821e/pure-beauty.jpg" data-mid="71178489" border="0"  src="https://freight.cargo.site/w/500/i/f503b13d8226741878570045c038bdf58c1c6794c377aad7ce89a386b7c8821e/pure-beauty.jpg" /&#62;
&#60;img width="363" height="450" width_o="363" height_o="450" data-src="https://freight.cargo.site/t/original/i/4865a09ea263a10f64b45c2476a782963564f562a9b4b62c1dc90d1f2f229744/little-utopian-house.jpg" data-mid="71178488" border="0"  src="https://freight.cargo.site/w/363/i/4865a09ea263a10f64b45c2476a782963564f562a9b4b62c1dc90d1f2f229744/little-utopian-house.jpg" /&#62;

René Magritte, Les Idées Claires, 1955. Jean Baldessari, Pure Beauty, 1968. Jean-Michel Alberola, Little Utopian House, 2002.
	︎ des Objets Reconnus, 2019Transcoding is a technological phenomenon which can be used to connect different cultural subjects. This case is explored in Lost Treasures Found where Latin and Emojis become an unlikely match. On the other hand, artists like René Magritte, John Baldessari, and Jean-Michel Alberola connect subjects via visual juxtaposition. Through juxtaposition, Magritte compares clouds to boulders. Baldessari examines type’s relationship to color. And, Alberola superimposes fragments of figure and lyric to make whole forms. Through juxtaposition, these artists are able to reframe, question, and better understand their subject matter. Des Objets Reconnus takes this spirit of juxtaposition and combines it with the power of transcoding.

	
    	
        
des Objets Reconnus, 1 hour limited edition video loop, Sedition Art, London, United Kingdom.
    


	On the right side, hundreds of famous oil paintings cycle in and out. On the left are keywords perceived by an object recognition algorithm used by many of the top technology corporations in the world. As the keywords change, the computer distorts the oil painting to reveal the part of the painting that triggers hidden metadata. The methodical pace runs at one half of one percent the speed the computer takes to recognize objects in an image.&#38;nbsp;This expanded view frames the computational process in terms conducive to human perception.&#38;nbsp;In addition, the wispy motion of the paintings is directly tied to how uncertain the algorithm is. Lastly, a sonic layer matches predominant colors present in the painting to underscore the pace. Des Objets Reconnus transcodes oil paintings through object recognition in order to juxtapose representation and meaning. In this way, des Objets Reconnus questions our personal relationships with paintings to better understand this pervasive algorithm.


	
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/a332868aed5c6b6841d0878ef8ee6c5a7bae80b09565928fbcd0eea82f5ce920/Screen-Shot-2020-04-26-at-6.12.31-PM3.png" data-mid="71179962" border="0"  src="https://freight.cargo.site/w/1000/i/a332868aed5c6b6841d0878ef8ee6c5a7bae80b09565928fbcd0eea82f5ce920/Screen-Shot-2020-04-26-at-6.12.31-PM3.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1bf97ee93ac998469f14bf90493f1e313c2464856f7c8104560929b5ffc7f728/Screen-Shot-2020-04-26-at-6.12.42-PM.png" data-mid="71179963" border="0"  src="https://freight.cargo.site/w/1000/i/1bf97ee93ac998469f14bf90493f1e313c2464856f7c8104560929b5ffc7f728/Screen-Shot-2020-04-26-at-6.12.42-PM.png" /&#62;

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/51e14f21240e604fb32ddee4cbedbfd0ed0fda85a243e6c8b786f3ab9c4d1581/Screen-Shot-2020-04-28-at-9.19.01-PM1.png" data-mid="71179964" border="0"  src="https://freight.cargo.site/w/1000/i/51e14f21240e604fb32ddee4cbedbfd0ed0fda85a243e6c8b786f3ab9c4d1581/Screen-Shot-2020-04-28-at-9.19.01-PM1.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/d2d387a3f6142bfaf89e88edaec8ea523ebe3959ec768d0c5bfbaddf2fa09a2c/Screen-Shot-2020-04-28-at-9.19.05-PM.png" data-mid="71179965" border="0"  src="https://freight.cargo.site/w/1000/i/d2d387a3f6142bfaf89e88edaec8ea523ebe3959ec768d0c5bfbaddf2fa09a2c/Screen-Shot-2020-04-28-at-9.19.05-PM.png" /&#62;


Identified keyword recognition of a portrait and a landscape for comparison. 
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		<title>Harm to Ongoing Matter</title>
				
		<link>https://www.jono.fyi/Harm-to-Ongoing-Matter</link>

		<pubDate>Sat, 11 Apr 2020 15:07:03 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/Harm-to-Ongoing-Matter</guid>

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	&#60;img width="772" height="1024" width_o="772" height_o="1024" data-src="https://freight.cargo.site/t/original/i/191b2c6e1f1296342c4a02ea1a740b99e1b0696abd641decf52430bfc9db6c7d/screen-shot-2019-09-11-at-4.44.38-pm.png" data-mid="71285947" border="0"  src="https://freight.cargo.site/w/772/i/191b2c6e1f1296342c4a02ea1a740b99e1b0696abd641decf52430bfc9db6c7d/screen-shot-2019-09-11-at-4.44.38-pm.png" /&#62;
Event poster for Nuit Blanche

	

︎ Harm to Ongoing Matter, 2020
Transcoding is expressive through its rigidity. In Lost Treasures Found and des Objets Reconnus transcoding made it possible to ingest and standardize many discrete assets, words and paintings respectively, to frame juxtaposition. Where transcoding is rigid, juxtaposition is loose. It is an artistic gesture to promote expression. For instance, Lost Treasures Found compares languages from different eras and des Objets Reconnus analyzes representation and meaning. So, one strength of new media enables the commingling of rigid and loose approaches to expression. Harm to Ongoing Matter pushes this dynamic further.



	

On Saturday October 5, 2019, Brandel alongside electronic musician Christina Chatfield took the stage to perform for La Gaîté Lyrique’s Nuit Blanche programming. During the two-hour set, thousands of people danced to acid rhythms and saw a retelling of Robert Mueller III’s “Report on the Investigation into Russian Interference in the 2016 Presidential Election”. Throughout the infamous document, there are words, lines, and paragraphs which are redacted, blacked out. These redactions carry the label, “Harm to Ongoing Matter”. This recontextualization is made possible through transcoding. The juxtaposition of media, a political report and a concert, adds a new and contradictory layer to this still developing narrative. Contradiction, as media theorist Geoff Cox puts it, is “where politics is evident and where re-invention takes place.”



	
    	
    
    
    
Early prototype converting words from the Mueller Report into chord progressions. Click on the video to toggle the audio on and off.

Early prototype rehearsing word playback to music with Seaboard Block.

    



	
    	
        
        
		

Harm to Ongoing Matter, limited edition 4 minute video loop, Sedition Art, London, United Kingdom.

In this limited edition video loop, the documentation from the Nuit Blanche performance is superimposed onto the report. All artist proceeds from this piece will be donated to Gray Area, the San Francisco project space where the works were originally conceived to be shown prior to COVID-19. A talk on this work and others from The Transcode Process is available on Patch&#38;nbsp;by Gray Area alongside the exhibition opening on Sedition starting July 2, 2020.


    



	
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Photos from the event by Chris Delbuck.

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		<title>Software as Artwork</title>
				
		<link>https://www.jono.fyi/Software-as-Artwork</link>

		<pubDate>Thu, 15 Sep 2022 22:45:04 +0000</pubDate>

		<dc:creator>Artistic &#38; Studio Work of Jono</dc:creator>

		<guid isPermaLink="true">https://www.jono.fyi/Software-as-Artwork</guid>

		<description>







Software as Artwork (English) #1/25. Token 26. Minted 09/15/22. 
Click video to toggle sound.



	
	

Software as Artwork, also known as SAAW tokens (or SaAw) on the Ethereum blockchain, is a collection of NFTs that represent a manifesto to bring artistic practices to contemporary software development.
The video, available in English and French, explains&#38;nbsp;Software as Artwork using emerging text-to-speech, speech-to-text technologies, and custom software for graphics all while satirizing the state of end-user technology consumption.



	



&#60;img width="1600" height="1117" width_o="1600" height_o="1117" data-src="https://freight.cargo.site/t/original/i/c0d74a8f515f1dc83ada2ea6b903b53d957ba129693e6593d2cdeabad8133ae0/pBjnO61m0OuGuV_yprjxC.png" data-mid="155921639" border="0"  src="https://freight.cargo.site/w/1000/i/c0d74a8f515f1dc83ada2ea6b903b53d957ba129693e6593d2cdeabad8133ae0/pBjnO61m0OuGuV_yprjxC.png" /&#62;For more details see:&#38;nbsp;Software as Artwork’s press release on Mirror.xyz, SaAw collection on&#38;nbsp;OpenSea, and the SAAW smart contract on Etherscan.



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